Daniel Rehn is an artist-researcher whose interest extends across both historical aspects and visions of the future for interactive art and networked culture.
In 2015, Daniel cofounded New Tropics where he currently directs/produces television, animation, and videogame projects.
He also runs Soft Detours (est. 2007), a computing culture studio that re-traces the history of software-based creativity, interactive relationships, and networked society. Most notably through WWWTXT which revisits the conversations of early online communities (1980–94) and reveal paths not taken while also foreshadowing contemporary issues.
From 2004–12, he was a researcher at Calit2 and San Diego Supercomputer Center. Together with Lev Manovich and Jeremy Douglass, he pioneered cultural analytics—the visualization and algorithmic understanding of time-based media. He also designed earthquake engineering systems for the National Science Foundation, led efforts to expand videogames as a creative medium (Re:Game, Playpower), and helped launch the Center for Design and Geopolitics.
And long before any of this—from 1989–95—he operated a Bulletin Board System that provided access to digital art packs, demoscene software, and computer aesthetics discussions.
Rehn holds an MFA in Visual Arts from UC San Diego. He currently resides in Los Angeles and needs to take more vacations.